Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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RAMSAY, Allan
Portrait of the Artist's Wife ff

ID: 08752

RAMSAY, Allan Portrait of the Artist's Wife ff
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RAMSAY, Allan Portrait of the Artist's Wife ff


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RAMSAY, Allan

Scottish Rococo Era Painter, 1713-1784 Portrait painter, born in Edinburgh, son of the poet Allan Ramsay. He studied in Edinburgh, London, Rome, and Naples, settling in London in 1739 and quickly establishing himself as the leading portraitist of the capital. He was particularly successful in painting women. His career as a portrait painter ended in 1773  Related Paintings of RAMSAY, Allan :. | Autoportrait | Portrait of Gabrielle de Roche-chouart Portrait of Gabrielle de Roche-chouart vbd | Mannikin in the Snow | Victory of Ochakiv | ytterskargard i dimma |
Related Artists:
Aert Anthonisz
painted A French Ship and Barbary Pirates in 1615
Johann Hulsmann
(1600 -1660 ) - Painter
Maffei, Francesco
Italian Baroque Era Painter, 1605-1660 Italian painter. He probably trained with his father, Giacomo Maffei, before joining the workshop of the Maganza family in Vicenza. His early works, such as the Ecce homo (ex-Dianin priv. col., Padua, see Pallucchini, 1981,), were influenced by the eclectic style, between Veronese and the Bassani, of Alessandro Maganza. The St Nicholas and the Angel (1626; Vicenza, S Nicola da Tolentino), with colours like those of Veronese, yet lighter, suggests Maffei's rapid development of an independent style that is both rugged and moving. His interest in narrative, already evident in scenes from the Life of St Cajetan (Vicenza, S Stefano), was developed in the later Martyrdom of the Franciscan Minors at Nagasaki (Schio, S Francesco), which is datable to about 1630. Here, the contrast between the pale, silvery tones of the background and the darker foreground figures is derived from Tintoretto, but the exaggerated Mannerist treatment of the main figures also recalls the art of such French engravers as Jacques Bellange and Pierre Brebiette. At the same time there is also an echo of the extreme stylizations of Giovanni Demio.






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